Traditional Classical Barong Dance The play tells the story of Kunti, the mother of Sadewa, who promised to give her child to the devilish Rangda. However, Kunti was unable to surrender her beloved son to the forces of evil. Of course, this refusal angered the wicked Rangda who bewitched Kunti and her guards, forcing the guards to Sadewa deep into the forest and leave him in front of Rangda’s palace. The Lord Shiva, who witnesses the helplessness of the innocent child, comes down to help Sadewa, granting the boy immortality. Essentially, the play is about how good triumphs over evil. This is generally the underlying theme in most Balinese performances, which through dance, music and drama aim to spread good moral teachings.The most popular Barong Dance at Batubulan in Gianyar, and the Denpasar suburbs. Shows are locally managed locally; dances performed by villagers, and live gamelan orchestra accompanies the full length of the show.

The Balinese traditional compound is basically divided into three parts on which part has different purposes. Applying the directional concept of their traditional compass, holy structures are built at the mountain at the mountain – wards of the compound such as shrines ( head ), in the middle yard are built all structures of living quarter ( body ), and at the seawards for kitchen and remaining land where they usually throw garbage away. A Balinese traditional compound is mostly enclosed either red bricks, sand stones, or odove walls covered with thatch roof made sedge grass or rice stubble. In front of the compound is the entrance gate.On both sides of the entrance walls, there are two niches as the substitution of shrines where , if the family is a bit financially better off they usually construct separate shrines, sometimes elaborate ones.